Publications

Below are publications and creative works since 2017 by CMH members and associate members

Books

Arrow, M. (2019) The Seventies: The Personal, the Political and the Making of Modern Australia NewSouth Publishing: Sydney.

Arrow, M., and Woollacott, A. (eds.) (2019) Everyday Revolutions: Remaking Gender, Sexuality and Culture in 1970s Australia ANU Press: Acton. DOI: 10.22459/ER.2019.

Arrow, M. and Woollacott, A. (eds.) (2020) How the Personal Became Political: The Gender and Sexuality Revolutions in 1970s Australia Routledge: New York.

Ashton, P., Evans, T. and Hamilton, P. (eds.) (2020) Making Histories De Gruyter: Berlin. DOI: 10.1515/9783110636352.

Borschke, M. (2017) This is Not a Remix: Piracy, Authenticity and Popular Music Bloomsbury Academic: New York. DOI: 10.5040/9781501318955.

Davidson, T. (2021) Good for the Soul: John Curtin's Life with Poetry University of Western Australia Press: Perth.

Edwell, P. M. 2021. The Case that Stopped a Nation: The Archibald Prize Controversy of 1944 Halstead Press: Sydney.

Edwell, P. M. 2021. Rome and Persia at War: Imperial competition and contact - 193-363 CE Routledge: London & New York.

Greste, P. (2017) The First Casualty: A Memoir from the Front Lines of the Global War on Journalism Penguin Australia.

Griffen-Foley, B. (2020) Australian Radio Listeners and Television Viewers: Historical Perspectives Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-54637-3.

Griffen-Foley, B. and Scalmer, S. (2017) Public Opinion, Campaign Politics and Media Audiences: New Australian Perspectives Melbourne University Press: Melbourne.

Helyer, N. and Potts, J. (2019) Culturescape: An Ecology of Bundanon The Bundanon Trust.

Kamblé, J., Selinger, E. M. and Teo, H-M. (eds.) (2021) The Routledge Research Companion to Popular Romance Fiction Routledge: London. DOI: 10.4324/9781315613468.

Lechte, J. (2023) Violence, Image and Victim in Bataille, Agamben and Girard Routledge: London.

Lloyd, J. (2019) Gender and Media in the Broadcast Age: Women’s Radio Programming at the BBC, CBC, and ABC Bloomsbury Academic: London.

Manning, P. (forthcoming) The Successor: The High-Stakes Life of Lachlan Murdoch Black Inc.: Collingwood.

McDonald, W. (2022) Literary Journalism in Colonial Australia Palgrave Macmillan: London.

McDonald, W. and Alexander, R. (eds.) (2022) Social Justice and Literary Journalism Palgrave Macmillan: London.

Milesi, L., Müller, C. J. and Tynan, A. (eds.) (2017) Credo Credit Crisis: Speculations on Faith and Money Rowman & Littlefield: London.

Munro, C. (2021) Literary Lion Tamers: Book Editors who Made Publishing History Scribe: Melbourne.

Murray, R., Ananian-Welsh, R. and Greste, P. (2021) Journalism on Ice: The Effect on Public Interest Reporting of National Security Legislation in Australia in Counter-terrorism Laws and Freedom of Expression: Global Perspective Lanham: Lexington Books.

Potts, J. (2019) Ideas in Time: The Longue Durée in Intellectual History Presses Universitaires de Provence: Aix-en-Provence.

Potts, J. (ed.) (2021) Use and Reuse of the Digital Archive Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-79523-8.

Potts, J. and Helyer, N. (2022) Science Meets Art Jenny Stanford Publishing: Singapore.

Russo, S. (2020) The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-58613-3.

Simone, D. (2019) Copyright and Collective Authorship: Locating the Authors of Collaborative Work Cambridge University Press: New York.

Sinha, D. (2021) Pandemic, Governance and Communication: The Curious Case of COVID-19 Routledge: New York

Solomon, S. (2017) International Film Festival of Kerala (IFFK): Country Focus: Brazil Curatorship International Film Festival of Kerala (IFFK). Available from: http://iffk.in/focus-on-brazil/.

Solomon, S. (ed.) (2017) Tropicália and Beyond: Dialogues in Brazilian Film History Archive Books: Berlin.

Solomon, S. (2017) Tropicália and Beyond: Dialogues in Brazilian Film History (Tate Film, Counter-Histories) Tate Modern: London.

Solomon, S. (2017) William Faulkner in Hollywood: Screenwriting For the Studios (The South on Screen) University of Georgia Press: Athens. DOI: 10.2307/j.ctt1g2km2r.

Teo, H-M. (ed.) (2017) The Popular Culture of Romantic Love in Australia Australian Scholarly Publishing: North Melbourne.

Throsby, D. (2018) Art, Politics, Money: Revisiting Australia's Cultural Policy (Platform Papers: Quarterly Essays on the Performing Arts; No. 55) Currency House: Strawberry Hills.

Xu, D. (2018) Indigenous Cultural Capital: Postcolonial Narratives in Australian Children’s Literature Oxford: Peter Lang.

Creative Research

Ahmed, S. (Performer) and Yalcinkaya, C. (Performer) (2018) Sovereign Murders Bandcamp. Digital or Visual Product. Available from: https://hazeen.bandcamp.com/releases.

Ahmed, S. (Performer) and Yalcinkaya, C. (Performer) (2018) Warm Bodies: Halloween Party Performance. Cement Fondu. Performance.

Azaola, R. (Developer), Ahmed, S. (Performer), Yalcinkaya, C. (Performer), Imielski, M. (Producer), Chandler, D. (Photographer) and Hernandez, B. (Producer) (2019) Armida c3 Art Space Gallery. Exhibition.

Cathcart, M., Meyrick, J., Throsby, D., and Glow, H. (2018) How Do We Decide the Value of Art? ABC Radio National. Digital or Visual Product. Available from: https://www.abc.net.au/radionational/programs/the-stage-show/how-do-we-decide-the-value-of-art/10307406.

Davidson, T. (2020) Four Oceans Puncher & Wattmann: Glebe.

Greste, P. (Director/Reporter) (2017) Facebook; Cracking the Code [Television current affairs documentary/online film] ABC Four Corners.

Greste, P. (Director/Reporter) (2018) The Reef [three-part television documentary series] ABC 7:30.

Greste, P. (Presenter) (2019) Think Twice: Sustainable Mining [television panel debate] ABC News 24.

Greste, P. (Presenter) (2021) Think Twice: Freedom of Speech [television panel debate] ABC News 24.

Greste, P. (Presenter) (2021) Think Twice: Poverty & Inequality [television panel debate] ABC News 24.

Midwinter-Pitt, V. (Director) and Greste, P. (Presenter) (2018) Monash and Me [Television documentary] Artemis Films/ABC Television.

Morgan, A. (Producer) (2018) ASIO Makes a Movie The Guardian. Digital or Visual Product. Available from: https://www.theguardian.com/film/video/2018/feb/14/present-traces-asio-makes-a-movie-video.

Müller, C. J. (Author) and Wiblin, I. (Photographer) (2017) BANK: In Ruins. Exhibition.

Murray, T. (Producer) (2017) Douglas Grant: The Skin of Others ABC Radio National. Digital or Visual Product. Available from: http://www.abc.net.au/radionational/programs/earshot/douglas-grant:-the-skin-of-others/8742008.

Murray, T. (Producer) (2018) The Skin of Others: When Douglas Grant Met Henry Lawson The Guardian. Digital or Visual Product. Available from: https://www.theguardian.com/film/video/2018/feb/27/the-skin-of-others-when-douglas-grant-met-henry-lawson-video.

Murray, T. (Director) (2020) The Skin of Others Tarpaulin Productions. Digital or Visual Product.

Pearlman, K. (Author) (2018) After the Facts The Physical TV Company. Digital or Visual Product.

Pearlman, K. (Director) (2019). I Want To Make a Film About Women The Physical TV Company. Digital or Visual Product.

Pearlman, K. (Author) and Allen, R. J. (Author) (2018) Digital Afterlives Physical TV Company. Digital or Visual Product.

Potts, J. (Curator) and Helyer, N. (Curator) (2017) Nigel Helyer: Landscape/Portrait: An Exploration of the Shoalhaven River Valley Macquarie University Art Gallery. Curatorship.

Solomon, S. (2017) Tropicália and Beyond: Dialogues in Brazilian Film History Tate Modern. Curatorship. Available from: https://www.tate.org.uk/whats-on/tate-modern/film/tropicalia-and-beyond-dialogues-brazilian-film-history.

Yalcinkaya, C. (Performer) and Ahmed, S. (Performer) (2017). Hazeen Live at Shh Centre 4 Hybrid Arts Performance. Available from: https://vimeo.com/279655275.

Book Chapters

Anderson, F. (2017) ‘Australian News Photographers, Safety and Trauma’, pp. 231-234 in U. Carlsson and R. Poyhtari (eds.) The Assault on Journalism: Building Knowledge to Protect Freedom of Expression 1 Nordicom: Göteborg.

Anderson, F. (2018). ‘‘Celebrating the Anzac Spirit’: The Visual Representation and Censorship of the Australian Soldier’, pp. 49-71 in I. Saleh and T. Knieper (eds.) The Visual Politics of War Volume Two: Truth and Lies of Soft Power 1(2) Cambridge Scholars Publishing: Newcastle Upon Tyne.

Anderson, F. A. (2018). ‘'Never Look Away’: Humanitarianism and Australian Newspaper Photographers’, pp. 141-166 in Visualising Human Rights 1(1) UWA Publishing: Western Australia.

Anderson, F. (2018) ‘Underdesirable Types - The Surveillance of Journalists’, pp. 33-49 in J. Lidberg and D. Muller (eds.) In the Name of Security – Secrecy, Surveillance and Journalism 1 Anthem Press: London. DOI: 10.2307/j.ctt22rbjhf.6.

Anderson, F. (2019) ‘Conflict and Journalism’ in J. F. Nussbaum (ed.), Oxford Research Encyclopedia of Communication 1(1) Oxford University Press: New York. DOI: 10.1093/acrefore/9780190228613.013.791.

Arrow, M. (2017) ‘An Inquiry into the Whole Human Condition? Whitlam, Sexual Citizenship and the Royal Commission on Human Relationships (1974-77)’, pp. 3-34 in J. Hocking (ed.) Making Modern Australia: The Whitlam Government's 21st Century Agenda Monash University Publishing: Clayton.

Arrow, M. (2017). ‘Love is in the Air? Love in Australian Rock and Pop Music, pp. 285-318 in H-M. Teo (ed.) The Popular Culture of Romantic Love in Australia Australian Scholarly Publishing: North Melbourne.

Arrow, M. (2020) ‘Exit Left: An Introduction’, pp. vii-xi in O. Gray (ed.) Exit Left: Memoirs of a Scarlet Woman Honour Bright Books: Melbourne.

Arrow, M. (2020) ‘Mona Brand: 1915-2007’, pp. 174-176 in B. Boughton, D. Blackman, M. Donaldson, C. Shute, and B. Symons (eds.), Comrades!: Lives of Australian Communists Search Foundation: Sydney.

Arrow, M. (2020) ‘Oriel Gray: 1920-2003’, pp. 99-101 in B. Boughton, D. Blackman, M. Donaldson, C. Shute and B. Symons (eds.) Comrades!: Lives of Australian Communists Search Foundation: Sydney.

Arrow, M. and Woollacott, A. (2019) ‘Revolutionising the Everyday: The Transformative Impact of the Sexual and Feminist Revolutions on Australian Society and Culture’, pp. 1-20 in M. Arrow and A. Woollacott (eds.) Everyday Revolutions: Remaking Gender, Sexuality and Culture in 1970s Australia ANU Press: Acton. DOI: 10.22459/ER.2019.01.

Borschke, M. (2020) ‘Random Access Memory: Personal Collections and the Poetics of Discovery’, pp. 45-50 in Audiosphere: Sound Experimentation, 1980-2020 Museo Nacional Centro de Arte Reina Sofía.

Borschke, M. (2020) ‘Reimagining Copies in Digital Networks’, pp. 239-251 in M. Filimowicz and V. Tzankova (eds.) Reimagining Communication: Mediation Routledge: New York. DOI: 10.4324/9781351015431-15.

Borschke, M. (2021) ‘Virtue, Efficiency, and the Sharing Economy’, pp. 101-108 in M. O'Neil, C. Pentzold and S. Toupin (eds.) The Handbook of Peer Production Wiley-Blackwell: Malden.

Collins, S., Renzo, A., Keith, S. and Mesker, A. (2021) ‘Transformations and Continuities in the Mastering Sector’, pp. 249-263 in J. P. Braddock, R. Hepworth-Sawyer, J. Hodgson, M. Shelvock and R. Toulson (eds.) Mastering in Music (Perspectives on Music Production) Routledge: London.

Crosby, P. and Throsby, D. (2019) ‘More Than Economics: Cultural Value and the Australian Book Industry’, pp. 65-84 in D. J. Baker, D. L. Brien and J. Webb (eds.) Publishing and Culture Cambridge Scholars Publishing: Newcastle upon Tyne.

Edwell, P. M. 2023.  "The Coins" in Ancient landscapes of Zoara II: finds from surveys and excavations at the Ghor as-Safi in Jordan, 1997-2018 Politis, K. D. (ed.). London ; New York: Routledge, Taylor and Francis Group, pp. 229-254.

Evans, T. (2018) ‘Genealogy and Family History’, pp. 175-185 in D. Dean (ed.) A Companion to Public History Wiley-Blackwell: Hoboken.

Evans, T. (2019) ‘Discovering Violence in the Family’, pp. 20-33 in A. Piper and A. Stevenson (eds.) Gender Violence in Australia: Historical Perspectives Monash University Publishing: Clayton.

Evans, T. (2019) ‘Love Thy Neighbour: Local and Community History’, pp. 239-250 in P. Ashton and A. Trapeznik (eds.) What is Public History Globally?: Working With the Past in the Present Bloomsbury Academic: London.

Evans, T. (2021) ‘Family History: Community and Collaboration’, pp. 197-208 in M. Allbrook and S. Scott-Brown (eds.) Family History and Historians in Australia and New Zealand: Related Histories Routledge: New York. DOI: 10.4324/9780429355899-15.

Evans, T. and Clark, A. (2017) ‘Family History and Transnational Historical Consciousness’, pp. 167-178 in A. Clark, A. Rees and A. Simmonds (eds.) Transnationalism, Nationalism and Australian History Palgrave Macmillan: Singapore. DOI: 10.1007/978-981-10-5017-6_11.

Goot, M. (2017) ‘Did Labor Lose or the Coalition Win?’, pp. 53-64 in T. Frame (ed.) The Ascent to Power, 1996: The Howard Government, Volume 1 UNSW Press: Sydney.

Goot, M. (2017) ‘It's Time: Spectrum's Market Research, Modern Campaigning, and Whitlam's Mandate’, pp. 270-307 in J. Hocking (ed.) Making Modern Australia: The Whitlam Government's 21st Century Agenda Monash University Publishing: Clayton.

Goot, M. (2018) ‘An Extraordinary Victory: Winning the Election While Losing the Vote’, pp. 1-26 in T. Frame (ed.) Back From the Brink, 1997-2001: The Howard Government UNSW Press: Sydney.

Goot, M. (2019) ‘Turning Around the Votes: The 2001 Election’, pp. 67-106 in T. Frame (ed.) Trials and Transformations, 2001-2004: The Howard Government UNSW Press: Sydney.

Goot, M. (2021) ‘Missing the Wood For the Trees: Explaining Howard's 2004 Victory’, pp. 14-56 in T. Frame (ed.) The Desire For Change, 2004-2007: The Howard Government NewSouth Publishing: Randwick.

Goot, M. (in press). ‘Is the Conservative Lead Growing? Is a Hung Parliament Possible? What Can We Believe? How a Partisan Press Reported the Polls’ in D. Wring, R. Mortimore and S. Atkinson (eds.) Political Communication in Britain: Polling, Campaigning and Media in the 2019 General Election Cham: Palgrave Macmillan.

Greste, P. and Richard, M. (2022) 'Press Freedom', pp. 1122-1134 in G. A. Borchard (ed.) The SAGE Encyclopedia of Journalism Thousand Oaks: SAGE.

Griffen-Foley, B. (2017) ‘The ‘Fireside Chat’ on Australian Radio’, pp. 142-173 in B. Griffen Foley and S. Scalmer (eds.) Public Opinion, Campaign Politics and Media Audiences: New Australian Perspectives Melbourne University Press: Melbourne.

Griffen-Foley, B. and Scalmer, S. (eds.) (2017) ‘Introduction’, pp. 1-10 in B. Griffen Foley and S. Scalmer (eds.) Public Opinion, Campaign Politics and Media Audiences: New Australian Perspectives Melbourne University Press: Melbourne.

Hadlow, M. (2022) AMIC in Transition. (In AMIC at 50: A History of the Asian Media Information and Communication Centre, C. Maslog, Ed.) Manila: Philippine Women’s University.

Hamilton, P., Ashton, P. and Evans, T. (2020) ‘Making Histories, Making Memories in Difficult Times’, pp. 1-7 in Making Histories De Gruyter: Berlin. DOI: 10.1515/9783110636352-001.

Kamblé, J., Selinger, E. M. and Teo, H-M. (2021) ‘Introduction’, pp. 1-23 in J. Kamblé, E. M. Selinger and H-M. Teo (eds.) The Routledge Research Companion to Popular Romance Fiction Routledge: London. DOI: 10.4324/9781315613468-25.

Keith, S., and Mesker, A. (2020) ‘Ghost Singers: The Singing Voice in Korean Pop Cinema, pp. 73-88 in D. Hughes and M. Evans (eds.) The Singing Voice in Contemporary Cinema (Genre, Music and Sound) Equinox Publishing: South Yorkshire.

Lechte, J. (2017) 'Thinking the Image, Technics and Embodiment: Julia Kristeva's Challenge', pp. 23-37 in M. Margaroni, A. Lampropoulos, & C. Chatzichristou (eds.) Textual Layering: Contact, Historicity, Critique Lexington Books.

Lechte, J. (2021). 'Image and the Illusion of Immanence in Jean-Paul Sartre', pp. 281-294 in K. Purgar (ed.) The Palgrave Handbook of Image Studies Palgrave Macmillan. DOI: 10.1007/978-3-030-71830-5_17.

Lloyd, J. (2017) ‘At Home in Public: The Work of Mobility and Anti-Racist Mobile Witnessing Practices’, pp. 121-134 in J. Lloyd and E. Vasta (eds.) Reimagining Home in the 21st Century Edward Elgar Publishing: Cheltenham. DOI: 10.4337/9781786432933.00016.

Madsen, V. (2018) ‘Transnational Encounters and Peregrinations of the Radio Documentary Imagination’, pp. 83-99 in G. Föllmer and A. Badenoch (eds.) Transnationalizing Radio Research: New Approaches to an Old Medium. Transcript Verlag: Bielefeld. DOI: 10.14361/9783839439135-008.

Madsen, V. (2023) ‘American Radio Art and the Documentary Imagination: Breakaway and Castaway Emissions from Broadcast to Podcast’ in A. Thurmann-Jajes and R. Beyer (eds.) Listen Up! Radio Art in the USA Transcript Verlag: Berlin.

Madsen, V. M. (2023) 'Illuminated radio: imagination and affect in the tradition of the audio 'feature', 'acoustic film' and radio documentaire de creation', pp. 95-111 in K. McDonald and H. Chignell (eds.) The Bloomsbury handbook of radio (Bloomsbury Handbooks): Bloomsbury Academic.

McAlister, J. and Teo, H-M. (2017) ‘Love in Australian Romance Novels’, pp. 194-222 in H-M. Teo (ed.) The Popular Culture of Romantic Love in Australia Australian Scholarly Publishing: North Melbourne.

McDonald, W. (2018) ‘Redressing the Silence: Racism, Trauma, and Aboriginal Women's Life Writing’, pp. 284-298 in B. Avieson, F. Giles and S. Joseph (eds.) Mediating Memory: Tracing the Limits of Memoir Routledge: New York.

McDonald, W. (2019) ‘A Call to Action: Behrouz Boochani's Manus Island Prison Narratives, pp. 238-254 in B. Avieson, F. Giles and S. Joseph (eds.) Still Here: Memoirs of Trauma, Illness and Loss Routledge: New York.

McDonald, W. (2019) ‘Giving Voice: A Different Teaching Approach to Life Writing, pp. 189-203 in J. Parnell (ed.) New and Experimental Approaches to Writing Lives Palgrave Macmillan: London.

McDonald, W. (2020) ‘Communication Across Borders: Real-Time 'Memoir' as Literary Journalism For Mobility Justice in the Work of Wang Fang and Behrouz Boochani’ in W. McDonald and R. Alexander (eds.) Social Justice and Literary Journalism Palgrave Macmillan: London.

McDonald, W. and Davies, K. (2020) ‘Catherine Hay Thomson: Female Vagabond or Stunt Reporter in J. Bak and B. Reynolds (eds.) Routledge Companion to World Literary Journalism Routledge: Milton Park.

McDonald, W. and Martin, J. (2020) ‘A Brief History of Australian Literary Journalism’ in J. Bak and B. Reynolds (eds.) Routledge Companion to World Literary Journalism Routledge: Milton Park.

Mills, K. A. (2018) ‘Frankenstein in Hyperspace: the Gothic Return of Digital Technologies to the Origins of Virtual Space in Mary Shelley's Frankenstein’ in C. M. Davison and M. Mulvey-Roberts (eds.) Global Frankenstein Palgrave Macmillan: Cham. DOI: 10.1007/978-3-319-78142-6_15.

Mills, K. A. (2018) ‘Dreaming into Hyperspace: the Victorian Spatial Imagination and the Origins of Modern Fantasy in MacDonald and Carroll’ in M. Partridge and K. Jeffrey Johnson (eds.) Informing the Inklings: George MacDonald and the Victorian Roots of Modern Fantasy Winged Lion Press.

Mills, K. A. (2020) ‘Hellish Horses and Monstrous Men: Gothic Horsemanship in Washington Irving and Edgar Allan Poe’ in R. Heholt and M. Edmundson (eds.) Gothic Animals: Uncanny Otherness and the Animal With-out Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-34540-2_14.

Mills, K. A. (2021) ‘The Supernatural Fourth Dimension in Lucas Malet's The Carissima and The Gateless Barrier’ in C. Bloom (ed.) The Palgrave Handbook of Steam Age Gothic Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-40866-4_33.

Mills, K. A. (2021) ‘The Poetics of Space, the Mind, and the Supernatural in S. T. Coleridge’ in C. Bloom (ed.) The Palgrave Handbook of Gothic Origins Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-84562-9_16.

Mills, K. A. (2022) ‘Malet, Lucas [Mary St. Ledger Kingsley Harrison]’ in L. Scholl and E. Morris (eds.) The Palgrave Encyclopedia of Victorian Women's Writing Palgrave Macmillan: cham. DOI: 10.1007/978-3-030-78318-1_357, 10.1007/978-3-030-02721-6_357-1.

Mees, C. and Murray, T. (2019) ‘Visual and Screen-Based Research Methodologies.’, pp. 1-24 in G. W. Noblit (ed.) Oxford Research Encyclopedia of Education Oxford University Press: Oxford. DOI: 10.1093/acrefore/9780190264093.013.1196.

Müller, C. J. (2018) ‘Writing to Spare One's Blushes: Jean-Jacques Rousseau's Confessions and the Automation of Confidence’, pp. 73-90 in B. Sheils and J. Walsh (eds.) Shame and Modern Writing Routledge: New York. DOI: 10.4324/9781315158754-5.

Müller, C. J. and Wiblin, I. (2017) ‘The Bank of England in Ruins: Photography, Money and the Law of Equivalence’, pp. 87-127 in L. Milesi, C. J. Müller and A. Tynan (eds.) Credo Credit Crisis: Speculations on Faith and Money Rowman & Littlefield: London.

O’Grady, P. (2019) 'The Politics of Digitizing Analogue Recording Technologies' in R. Hepworth-Sawyer and J. Hodgson (eds) Producing Music Routledge: London.

O’Grady, P. (2021) '‘Under the Cover of Darkness’: Situating ‘Covers Gigs’ within Live Music Ecologies', pp. 44-55 in C. Anderton and S. Psifil (eds) Researching Live Music: Gigs, Tours, Concerts and Festivals Focal Press: London.

Pearlman, K. (2018) ‘Documentary Editing and Distributed Cognition’, pp. 303-319 in C. Brylla and M. Kramer (eds.) Cognitive Theory and Documentary Film Palgrave Macmillan: London. DOI: 10.1007/978-3-319-90332-3_17.

Pearlman, K. (2019) ‘On Rhythm in Film Editing’, pp. 143-163 in N. Carroll, L. T. Di Summa-Knoop and S. Loht (eds.) The Palgrave Handbook of the Philosophy of Film and Motion Pictures Palgrave Macmillan: Cham. DOI: doi.org/10.1007/978-3-030-19601-1_7.

Pearlman, K. and Sutton, J. (2022) ‘Reframing the Director: Distributed Creativity in Filmmaking Practice, pp. 86-105 in M. Hjort and T. Nanicelli (eds.) A Companion to Motion Pictures Wiley-Blackwell: Hoboken.

Potts, J. (2020) ‘Displacement in Contemporary Art’, pp. 687-700 in P. Adey, J. C. Bowstead, K. Brickell, V. Desai, M. Dolton, A. Pinkerton and A. Siddiqi (eds.) The Handbook of Displacement Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-47178-1_47.

Potts, J. (2021) ‘Charisma and the Media’, pp. 363-374 in J. P. Zúquete (ed.) Routledge International Handbook of Charisma Routledge: London.

Potts, J. (2021) ‘Conclusions: Use and Re-use’, pp. 159-162 in J. Potts (ed.) Use and Reuse of the Digital Archive Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-79523-8_11.

Potts, J. (2021) ‘Making the Temporary Permanent: The Digital Archive’, pp. 13-32 in J. Potts (ed.) Use and Reuse of the Digital Archive Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-79523-8_2.

Russo, S. (2019) 'Angelina, by Mary Robinson' in N. Duquette (ed.) Palgrave Encyclopedia of Romantic-era Women Writers Palgrave Macmillan: Cham.

Russo, S. (2019) 'Domesticating Charlotte Corday: Helen Craik's Adelaide de Narbonne and Private Vengeance, pp. 111-125 in J. Cogle, N. C. Fischer, L. Saleh Rofail and V. Smith (eds.) Portable Prose: The Novel and the Everyday Washington: Lexington Books.

Russo, S. (2019) 'Virtue Betray'd: Women Writing Anne Boleyn in the Long Eighteenth Century, pp. 51-71 in E. Paranque (ed.) Remembering Queens and Kings of Early Modern England and France: Reputation, Reinterpretation, and Reincarnation (Queenship and Power) Palgrave Macmillan: Cham. DOI: 10.1007/978-3-030-22344-1_4.

Russo, S. (2020) 'Austen Approved: Pemberley Digital and the Transmedia Commodification of Jane Austen, pp. 99-111 in A. Bautz and S. Wootton (eds.) Bicentennial Essays on Jane Austen's Afterlives (Historical Women's Writing). Routledge: New York.

Russo, S. (2021) 'Anne Boleyn, Tudor Vampire' in N. Neill (ed.) Gothic Mash-ups Lexington Books: Washington.

Russo, S. (2021) ''I am Artemisia': Art and Trauma in Joy McCullough's Blood Water Paint' J. Fitzmaurice, N. J. Miller and S. J. Steen (eds.) Authorizing Early Modern Women: From Biography to Biofiction Amsterdam: Amsterdam University Press.

Russo, S. (2021) 'Shipping Anne/Henry: Love in Tudor Historical Romances' in The Routledge Companion to Love Routledge: New York.

Russo, S. (2021) 'Still Bloody Mary: Mary I in Historical Fiction' in V. Schutte and J. Hower (eds.) Writing Mary I: History, Historiography and Fiction (Queenship and Power) Palgrave Macmillan: Cham.

Russo, S. (2021) 'The Literary Afterlives of the Tudor Consorts' in A. Norrie (ed.) Tudor and Stuart Consorts (Queenship and Power) Palgrave Macmillan: Cham.

Russo, S. (2020) 'These Old Shades: Georgette Heyer's Unruly Eighteenth Century' in The Routledge Companion to Love Routledge: New York.

Russo, S. (2021) 'Three or Four Families in a RPG: Jane Austen and Gaming' in J. Bray and H. Moss (eds.) Edinburgh Companion to Jane Austen and the Arts Edinburgh University Press: Edinburgh.

Sheehan, R. J. (2019) ‘‘If We Had More Like Her We Would No Longer Be the Unheard Majority': Germaine Greer's Reception in the United States’, pp. 62-77 in M. Dever, A. Taylor and L. Adkins (eds) Germaine Greer: Essays on a Feminist Figure Routledge: New York.

Sheehan, R. J. (2021) ‘‘She Made Me Understand’: How Lemonade Raised the Intersectional Consciousness of Beyoncé’s International Fans’ in C. Baade and K. A. McGee (eds.) Beyoncé in the World: Making Meaning With Queen Bey in Troubled Times Wesleyan University Press: Middletown.

Solomon, S. (2017) ‘A Brand New Thing: IFFK Country Focus: Brazil’, pp. 160-161 in M. Panju (ed.) 22nd International Film Festival of Kerala: Festival Book Kerala State Chalachitra Academy: Thiruvananthapuram.

Solomon, S. (2017) ‘Education, Destiny and National Identity in Raúl Ruiz's Manuel on the Island of Wonders’, pp. 147-159 in S. Hemelryk Donald, E. Wilson and S. Wright (eds.) Childhood and Nation in Contemporary World Cinema: Borders and Encounters Bloomsbury Academic: New York.

Solomon, S. (2017) ‘Introduction to Tropicália and Beyond: Dialogues in Brazilian Film History’, pp. 7-31 in S. Solomon (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History Archive Books: Berlin.

Solomon, S. (2020) Frames, Gutters and the Mouth of Garbage: Comic Books and Cinema Marginal’ in L. Nagib and L. Corrêa de Araújo (eds.) Towards an Intermedial History of Brazilian Cinema (Edinburgh Studies in Film and Intermediality) Edinburgh University Press: Edinburgh.

Solomon, S. (2021) ‘Faulkner and Screen Culture’, (manuscript in preparation) in S. Gleeson-White and P. Lurie (eds.) The New Faulkner Studies (Twenty First Century Critical Revisions) Cambridge University Press: Cambridge.

Teo, H-M. (2017) ‘Introduction: The Popular Culture of Romantic Love in Australia’, pp. 1-38 in H-M. Teo (ed.) The Popular Culture of Romantic Love in Australia Australian Scholarly Publishing: North Melbourne.

Teo, H-M. (2017) ‘The Romance Novel’, pp. 255-270 in J. C. Nash (ed.) Gender: Love(Macmillan Interdisciplinary Handbooks) Gale: Farmington Hills.

Teo, H-M. (2018) ‘The Contemporary Anglophone Romance Genre’, pp. 1-25 in P. Rabinowitz (ed.), Oxford Research Encyclopedia of Literature Oxford University Press: Oxford. DOI: 10.1093/acrefore/9780190201098.013.415.

Teo, H-M. (2020) ‘Foreword: Romantic love and intimacy in Australia, pp. x-xxiv in A. Brooks (ed.) Love and Intimacy in Contemporary Society: Love in an International Context Routledge: New York.

Teo, H-M. (2021) ‘Love and Romance Novels’, pp. 434-484 in J. Kamble, E. M. Selinger and H-M. Teo (eds.) The Routledge Research Companion to Popular Romance Fiction Routledge: London. DOI: 10.4324/9781315613468-21.

Tynan, A. and Müller, C. J. (2017) ‘Speculative Exchange: Between Religion and Economics’, pp. 1-18 in L. Milesi, C. J. Müller and A. Tynan (eds.) Credo Credit Crisis: Speculations on Faith and Money Rowman & Littlefield: London.

Yalçinkaya, C. (2019) ‘Drawing Istanbul's Asshole: Turkish Punk Comics, pp. 153-169 in C. B. Field, K. Lannon, M. D. MacBride and C. C. Douglas (eds.) ‘I'm Just a Comic Book Boy’: Essays on the Intersection of Comics and Punk McFarland & Company: Jefferson.

Yalcinkaya, C. and Ahmed, S. (2019) ‘Creeping Sharia: An Extreme Response to Islamophobia, pp. 111-127 in C. Hoad (ed.) Australian Metal Music: Identities, Scenes and Cultures Emerald Publishing: Bingley.

Journal Articles

Ali, K. (2021) 'The logics of digitisation: race, cyberspace, and digital settler colonialism' Journal of Global Indigeneity 5(2).

Ali, K. (2021) '“Unsettling” the Christchurch Massacre Foregrounding Settler Colonialism in Studies of Islamophobia' Journal of the Contemporary Study of Islam 2(2).

Ali, K. (2021) 'Zoom-ing in on White Supremacy: Zoom-Bombing Anti-Racism Efforts' M/C Journal 24(3). DOI: 10.5204/mcj.2786.

Ananian-Welsh, R., Cronin, R. and Greste, P. (2021) 'In the Public Interest; Protections and Risks in Whistleblowing to the Media' University of New South Wales Law Journal 44(4).

Anderson, F. (2017) ‘‘Photographing Lindy’: Australian Press Photography and the Chamberlain Case, 1980–2012’ Media International Australia 162(1): 7-18. DOI: 10.1177/1329878X16665495.

Anderson, F. A. (2018) ‘Perilous: Australian News Photographers and Trauma’ Journalism Studies 19(11): 1613-1632. DOI: 10.1080/1461670X.2017.1284017.

Arrow, M. (2018) ‘History-Making at the 2018 Sydney Gay and Lesbian Mardi Gras: Witches, Faggots, Dykes and Poofters, the Museum of Love and Protest, the 2018 Sydney Gay and Lesbian Mardi Gras Parade, and Riot’ Australian Historical Studies 49(4): 493-500. DOI: 10.1080/1031461X.2018.1519749.

Arrow, M. (2018) ‘Making Family Violence Public in the Royal Commission on Human Relationships, 1974-1977’ Australian Feminist Studies 33(95): 81-96. DOI: 10.1080/08164649.2018.1498731.

Arrow, M. (2018) ‘‘These Are Just a Few Examples of Our Daily Oppressions’: Speaking and Listening to Homosexuality in Australia's Royal Commission on Human Relationships, 1974-1977. Journal of the History of Sexuality 27(2): 234-263 DOI: 10.7560/JHS27202.

Arrow, M. (2021) ‘‘How Much Longer Will We Allow This Country's Affairs to be Run by Radical Feminists?': Anti-Feminist Activism in Late 1970s Australia’ Australian Historical Studies 52(3): 331-347. DOI: 10.1080/1031461X.2020.1821723.

Arrow, M., Barrett Meyering, I. and Robinson, S. (2021) ‘In the Wake of the Sexual Revolution: New Histories of Sexual and Gender Politics in Contemporary Australia’ Australian Historical Studies 52(3): 313-316. DOI: 10.1080/1031461X.2021.1940474.

Arrow, M. and Findlay, J. (2020) ‘A Critical Introduction to The Nightingale: Gender, Race and Troubled Histories on Screen’ Studies in Australasian Cinema 14(1): 3-14. DOI: 10.1080/17503175.2020.1740404.

Arrow, M. and Woollacott, A. (2018) ‘Introduction—How the Personal became Political: The Gender and Sexuality Revolutions in 1970s Australia’ Australian Feminist Studies 33(95): 1-8. DOI: 10.1080/08164649.2018.1498730.

Avieson, B. and McDonald, W. (2017) ‘Dangerous Liaisons: Undercover Journalism, Standpoint Theory and Social Revelation Media International Australia 163(1): 137-150. DOI: 10.1177/1329878X16686205.

Barkat, I. (2017) ‘Beyond Resistance: Subtraction as Methodology in Badiou and Vertov’ Global Media Journal: Australian Edition, 11(1), 1-16. http://www.hca.westernsydney.edu.au/gmjau/?p=3109

Barkat, I. (2018). ‘Agrarian Utopia, Cinema of In-between-ness and the Vertov Legacy’ Studies in Documentary Film 12(1), 28-42. DOI: 10.1080/17503280.2017.1420412.

Baker, J. (2017) ‘Woman to Woman: Australian Feminists’ Embrace of Radio Broadcasting, 1930s–1950s’ Australian Feminist Studies 32(93): 292-308. DOI: 10.1080/08164649.2017.1407643.

Baker, J. (2018) ‘‘Once a Typist Always a Typist’: the Australian Women's Broadcasting Co-operative and the Sexual Division of Labor at the Australian Broadcasting Commission’ Feminist Media Histories 4(4): 160-184. DOI: 10.1525/fmh.2018.4.4.160.

Baker, J. (2019) ‘Australian Women Working in British Broadcasting in the 1930s and 1940s’ Feminist Media Histories 5(3): 140-167. DOI: 10.1525/fmh.2019.5.3.140.

Baker, J. and Connors, J. (2020) ‘Glorified Typists' in No-Man's Land: The ABC Script Assistants' Strike of 1973’ Women’s History Review 29(5): 841-859.DOI: 10.1080/09612025.2019.1703539.

Baker, J. and Hall, N. (2021) ‘Rigged Against Them: Women Camera Operators at the BBC During the 1970s and 1980s’ Women’s History Review. DOI: 10.1080/09612025.2021.1944348.

Burtt, J., Lavers, K. and Barkat, I. (2019) ‘Introduction and Interview: A Multi-arts Project’ Performing Islam, 8(1-2), 157-171. DOI: 10.1386/pi_00009_1.

Collins, S., Renzo, A., Keith, S. and Mesker, A. (2021) ‘Mastering 2.0: The Real or Perceived Threat of DIY Mastering and Automated Mastering Systems’ Popular Music and Society 44(3): 258-273. DOI: 10.1080/03007766.2019.1699339.

Cutting, J. E. and Pearlman, K. (2019) ‘Shaping Edits, Creating Fractals: A Cinematic Case Study’ Projections: The Journal For Movies and Mind 13(1): 1-22. DOI: doi.org/10.3167/proj.2019.130102.

D’Agostino, F. and Greste, P. (2021) 'Slippery Beasts: Why Academic Freedom and Media Freedom Are So Difficult to Protect' Australian Universities Review 63(1): 45-52.

Davidson, T. and Potts, J. (2017) ‘Words in Place: Mapping Australian Literature’ E-rea: Revue Électronique D’études Sur le Monde Anglophone 14(2): 1-16.

Davies, K., Dodd, A., Kremmer, C. and Van Heekeren, M. (2017) ‘The Pedagogy of the UniPollWatch Pop-up Journalism Project’ Asia Pacific Media Educator 27(2): 219-232.

Dwyer, M. (2021) 'Border Crossings: the Allure of China for Australian Journalists' Australian Book Review 434 August: 10-11.

Evans, T. (2018) ‘Australian Lives: An Intimate History’ Public Historian 40(4): 222-224. DOI: 10.1525/tph.2018.40.4.222.

Evans, T. (2018) ‘Enhancing Student Engagement Through Flipping: A Case Study in Australian History’ The History Teacher 51(4): 611-638.

Evans, T. (2019) ‘A New History of the Irish in Australia’ Labour History (117): 217-218.

Evans, T. (2019) ‘Emerging Questions in Family History Studies’ International Public History 2(2): 1-12. DOI: 10.1515/iph-2019-0013.

Evans, T. (2019) ‘Unmarried Motherhood in the Metropolis, 1700-1850: Pregnancy, the Poor Law and Provision’ London Journal 44(2): 160-161. DOI: 10.1080/03058034.2019.1617541.

Evans, T. (2020) ‘The Emotions of Family History and the Development of Historical Knowledge’ Rethinking History 24(3-4): 310-331. DOI: 10.1080/13642529.2020.1847895.

Evans, T. (2021) ‘How Do Family Historians Work With Memory?’ Journal of Family History 46(1): 92-106. DOI: 10.1177/0363199020967384.

Evans, T. and De Groot, J. (2019) ‘Introduction: Emerging Directions For Family History Studies’ International Public History 2(2): 1-3. DOI: 10.1515/iph-2019-0014.

Goot, M. (2019) ‘Elections Matter: Ten Federal Elections That Shaped Australia’ Australian Journal of Politics and History 65(3): 492-493. DOI: 10.1111/ajph.12601.

Goot, M. (2021) ‘How Good Are the Polls? Australian Election Predictions, 1993-2019’ Australian Journal of Political Science 56(1): 35-55. DOI: 10.1080/10361146.2020.1825616.

Goot, M. and Rowse, T. (2021) ‘Warren Mundine in Black and White’ Australian Journal of Biography and History (5): 205-226. DOI: 10.22459/AJBH.05.2021.10.

Greste, P. (2018) 'Why There is No Culture of Journalists’ Safety' Australian Journalism Review 40(2): 9-13.

Greste, P. and Murray, R. (2019) 'Why Australia needs a Media Freedom Act' The Political Economy of Communication 7(2): 105-108.

Griffen-Foley, B. (2017) ‘Diary of a Television Viewer’ Media International Australia 162(1): 33-48. DOI: 10.1177/1329878X16678081.

Griffen-Foley, B. (2017) ‘Entangled Media Histories: A Response’ Media History 23(1): 145-147. DOI: 10.1080/13688804.2016.1270752.

Griffen-Foley, B. (2019) ‘Kindergarten of the Air: From Australia to the World’ Radio Journal: International Studies in Broadcast and Audio Media 17(2): 179-199. DOI: 10.1386/rjao_00004_1.

Griffen-Foley, B. (2019) ‘Inaugural KS Inglis Address: Making Australian Media History’ Media International Australia 170(1): 3-21. DOI: 10.1177/1329878X18805089.

Griffen-Foley, B. (2020) ‘‘Let’s Join In’: Children and ABC Radio’ Historical Journal of Film, Radio and Television 40(1): 185-209. DOI: 10.1080/01439685.2019.1610267.

Griffen-Foley, B. (2020) ‘Towards a History of Literary Programming on ABC Radio’ Australian Literary Studies 35(2): 1-31. DOI: 10.20314/als.333f256600.

Hadlow, M. (2014) ‘No Propaganda Will be Broadcast’: The Rise and Demise of Australian Military Broadcasting. (In Media International Australia, No. 150, February). St. Lucia: SJC/University of Queensland.

Hadlow, M. (2019) The Path of the Birds: freedom of the press and media pluralism. (In Aikap, no.3, 113). Almaty: Al-Farabi Kazakh National University.

Helyer, N. and Potts, J. (2019) ‘The Sound of Place: Environmental Artworks at Bundanon’ Soundscape: the Journal of Acoustic Ecology 17: 27-33.

Helyer, N., Potts, J. and Taylor, M. P. (2018) ‘Heavy Metal: An Interactive Environmental Art Installation’ Leonardo Music Journal 28(1): 8-12. DOI: 10.1162/lmj_a_01032.

Holzer, H. and Müller, C. J. (Trans.) (2018) ‘Communication and Society: A Critical Political Economy Perspective’ TripleC 16(1): 357-397. DOI: 10.31269/triplec.v16i1.1029.

Kay, J. B. and Lloyd, J. (2021) ‘Introduction to a Commentary and Criticism Section on Gender and Transnational Media’ Feminist Media Studies 21(4): 673-676. DOI: 10.1080/14680777.2021.1927135.

Keith, S., Collins, S., Renzo, A. and Mesker, A. (2021) ‘Industry Standard? Technocapitalist Depictions of Music Production’ Creative Industries Journal DOI: 10.1080/17510694.2021.1939540.

Lambert, A. and Pearlman, K. (2017) ‘Editing (For) Elizaveta: Talking Svilova, Vertov and ‘Responsive Creativity’ with Karen Pearlman’ Studies in Australasian Cinema 11(3): 157-160. DOI: 10.1080/17503175.2017.1407063.

Lloyd, J. (2019) ‘‘A Girdle of Thought Thrown Around the World’: International Aspirations in Women's Programming in Australia and Canada’ Feminist Media Histories 5(3): 168-194. DOI: 10.1525/fmh.2019.5.3.168.

Lloyd, J. (2020) ‘Media's Domestication as Intimate Geography’ Life Writing 17(4): 469-481. DOI: 10.1080/14484528.2020.1769305.

Lloyd, J. and Kay, J. B. (2021) ‘Gender and Transnational Media’ Feminist Media Studies 21(4): 515-522. DOI: 10.1080/14680777.2021.1945651.

Longden, T. and Throsby, D. (2021) ‘Non-pecuniary Rewards, Multiple Job-holding and the Labour Supply of Creative Workers: The Case of Book Authors’ Economic Record 97(316): 24-44. DOI: 10.1111/1475-4932.12577.

Madsen, V. (2017) ‘Innovation, Women's Work and the Documentary Impulse: Pioneering Moments and Stalled Opportunities in Public Service Broadcasting in Australia and Britain’ Media International Australia 162(1): 19-32. DOI: 10.1177/1329878X16678933.

Madsen, V. M. (2020) ‘‘We Are All Content Makers Now': Losing Form and Sense at the ABC?’ Australian Journalism Review 42(2): 243-260. DOI: 10.1386/ajr_00038_1.

McDonald, W. (Accepted). ‘Australia's Sesquicentenary, 1938: Madame Chiang Kai-Shek's Message to the International Women's Conference’ Space and Culture.

McDonald, W. (2018) ‘The IALJS and LJS: Decade of Pioneering Scholars and the New Wave’ Literary Journalism Studies, 10(2), 73.

McDonald, W. (2018) ‘When Journalism isn't Enough: ‘Horror Surrealism in Behrouz Boochani's Testimonial Prison Narrative’ Ethical space: The International Journal of Communication Ethics 15(3/4): 17-24.

McDonald, W. and Avieson, B. (2019) ‘Having Your Story and Data Too: The Australian Colonial Narrative Journalism Database’ Literary Journalism Studies 11(2): 32-55.

McDonald, W. and Avieson, B. (2020) ‘Journalism in Disguise: Standpoint Theory and the Ethics of Günter Wallraff's Undercover Immersion’ Journalism Practice 14(1), 34-47. DOI” 10.1080/17512786.2019.1596752.

Mesker, A. (2019) ‘Through an Ale Glass, Palely: Mermen, Neptune/Poseidon and Tritons as Motifs in Beer Brands and Product Labels’ Coolabah (27): 106-135. DOI: 10.1344/co201927106-135.

Mills, K. A. (2017) ‘At the Limits of Perception: Liminal Space, Vision and the Interrelation of Word and Image in Walpole's Strawberry Hill, The Castle of Otranto and The Mysterious Mother’ Image & Narrative: online magazine of the visual narrative, 18(3): 5-17. http://www.imageandnarrative.be/index.php/imagenarrative/article/view/1582/1243

Mills, K. A. (2021) ‘Haunted by “Lenore”: the Fragment as Gothic Form, Creative Practice and Textual Evolution’ Gothic Studies, 23(2): 132-147. DOI: 10.3366/gothic.2021.0090.

Morgan, A. (2017) ‘Creating Cinematic Esperanto: Guillermo del Toro’ Film International 15(4): 88-103. DOI: 10.1386/fiin.15.4.88_1.

Morgan, A. (2018) ‘Empire of Illusions: Film Censorship, Eugenics and Aboriginal Spectatorship in Australia's Northern Territory 1928-1950’ Historical Journal of Film, Radio and Television 38(4): 711-728. DOI: 10.1080/01439685.2018.1457246.

Morgan, A. (2018) ‘Visible Silence: Kiyoshi Kurosawa's Cinematic Representation of Contemporary Japanese Characters’ Film International 16(3): 80-92. DOI: 10.1386/fiin.16.3.80_1.

Morgan, A. (2021) ‘Ghastly Results: The Banning of Children of The Wasteland (1953) and the Stellar Rise and Demise of its Maker the Boy Bishop’ Historical Journal of Film, Radio and Television 41(1): 80-97. DOI: 10.1080/01439685.2020.1788813.

Müller, C. J. (2017) ‘Die unangestellten: Ein blick in die zukunft der arbeit’ Günther Anders Journal 1: 1-15.

Müller, C. J. (2017) ‘Introduction to Günther Anders's 'The Obsolescence of Privacy' CounterText 3(1): 13-19. DOI: 10.3366/count.2017.0072.

Müller, C. J. (2017) ‘Keine nackten tatsachen: Zu Jacques Derridas begriff des supplements’ Cogito: Unabhängige Zeitschrift der Studierendenschaft Philosophie 9(1): 22-26.

Müller, C. J. (2019) ‘From Radioactivity to Data Mining: Günther Anders in the Anthropocene’ Thesis Eleven 153(1): 9-23. DOI: 10.1177/0725513619867180.

Müller, C. J. (2020) ‘Fragmente aus der Endzeit: Negatives Geschichtsdenken bei Günther Anders. German Studies Review 43(3): 632-635. DOI: 10.1353/gsr.2020.0097.

Müller, C. J. (2021) ‘Are Language Games Also Confidence Tricks? Technology as Embodied Power and Collective Disempowerment’ Foundations of Science DOI: 10.1007/s10699-020-09752-3.

Müller, C. J. (2021) ‘Hollywood, Exile, and New Types of Pictures: Günther Anders's 1941 California Diary ‘Washing the Corpses of History’’ Modernism/Modernity 5(4). DOI: 10.26597/mod.0185.

Müller, C. J. and Mellor, D. (2019) ‘Utopia Inverted: Günther Anders, Technology and the Social’ Thesis Eleven 153(1): 3-8. DOI: 10.1177/0725513619865638.

Murray, T. (2020) ‘The Bitter Tragedies of Bennelong and Grant: Colonial Cryptoplots’ History Compass 18(8): 1-13. DOI: 10.1111/hic3.12620.

Murray, T. (2021) ‘Emotions, Activism and Documentary Storytelling: A Biographical Production-Based Case Study’ Emotions: History, Culture, Society 5(1): 103-123. DOI: 10.1163/2208522X-02010116.

Murray, T. and Howes, H. (2021) ‘Douglas Grant and Rudolf Marcuse: Wartime Encounters at the Edge of Art’ History and Anthropology 32(3): 251-380. DOI: 10.1080/02757206.2019.1607730.

Nagib, L. and Solomon, S. (2019) ‘Intermediality in Brazilian Cinema: The Case of Tropicália Introduction’ Screen 60(1): 122-127. DOI: 10.1093/screen/hjy064.

O’Grady, P. (2017) 'Another Day to Swing on Clothes Lines: The Bee Gees and Australia' Perfect Beat 18(1): 27-47.

O’Grady, P. (2018) 'Latent Elements in Music Production' Popular Music and Society 41(5). DOI: 10.1080/03007766.2017.1366818.

O’Grady, P. (2019) 'The Analogue Divide: Interpreting Attitudes Towards Recording Media in Music Production' Continuum: Journal of Media and Cultural Studies 446-459. DOI: 10.1080/10304312.2019.1626348.

O’Grady P. (2019) 'The Master of Mystery: Technology, Legitimacy and Status in Audio Mastering' Journal of Popular Music Studies 31(2): 141-164.  DOI: 10.1525/jpms.2019.312012.

O’Grady, P. (2020) 'Making Mirrors, Making Albums and Making Documentaries: The Music of Gotye and Negotiating Bourdieu’s Field of Cultural Production' Popular Music 39(3-4): 669-684.

O'Grady, P. (2021) ‘'An Essential Tool For Creativity’: Technologies, Spaces and Discourse Within Pop Music Production' Media International Australia. DOI: 10.1177/1329878X211040127.

O'Grady, P. (2021) 'Rethinking Criticism About Lossy Compression: Sound Fidelity, Large-Scale Production and Audio Capital in Pop Music' Convergence 27(4): 1075-1091. DOI:10.1177/1354856520976454.

O'Grady, P. (2021) 'Sound City and Music From the Outskirts: The De-Democratization of Pop Music Production' Creative Industries Journal 14(3): 211-225. DOI: 10.1080/17510694.2020.1839281.

Parkes, R., Ross, S., Sobotkova, A., Evans, T., Crook, P., Lupack, S., Karskens, G., Leslie, F. and Merson, J. (2018) ‘Ruined Castle Shale Mining Settlement, Katoomba NSW: Report on a Pilot Survey’ Australasian Historical Archaeology 36, 86-92.

Pearlman, K. (2017) ‘Editing and Cognition Beyond Continuity’ Projections: The Journal For Movies and Mind 11(2): 67-86. DOI: 10.3167/proj.2017.110205.

Pearlman, K. (2021) ‘Editing, Directing and The Cool World: Filmmaking as a Choreographic Art’ Textual Practice. DOI: 10.1080/0950236X.2021.1965291.

Pearlman, K. and Gaines, J. M. (2019) ‘After the Facts: These Edits Are My Thoughts’ [in]Transition: Journal of Videographic Film & Moving Image Studies 6(4).

Pearlman, K. and Heftberger, A. (2018) ‘Editorial: Recognising Women's Work as Creative Work’ Apparatus: Film, Media and Digital Cultures in Central and Eastern Europe (6). DOI: 10.17892/app.2018.0006.124.

Pearlman, K., MacKay, J. and Sutton, J. (2018) ‘Creative Editing: Svilova and Vertov's Distributed Cognition’ Apparatus: Film, Media and Digital Cultures in Central and Eastern Europe (6)[1]. DOI: 10.17892/app.2018.0006.122.

Pearlman, K., MacKay, J. and Sutton, J. (2020) ‘Творческое редактирование: Распределенное познание Свиловой и Вертова’ Кинема, 1(1).

Potts, J. (2018) ‘Futurism, Futurology, Future Shock, Climate Change: Visions of the Future From 1909 to the Present’ Portal: Journal of Multidisciplinary International Studies 15(1-2): 99-116. DOI: 10.5130/portal.v15i1-2.5810.

Potts, J. (2018) ‘The 'Radio Service': Religion and ABC National Radio’ Radio Journal: International Studies in Broadcast and Audio Media 16(2): 159-171. DOI: 10.1386/rjao.16.2.159_1.

Russo, S. (2017) 'Rewriting Radcliffe in the Age of Victoria: Sarah Harriet Burney's The Romance of Private Life' Gothic Studies 19(1): 73-90. DOI: 10.7227/GS.0020.

Russo, S. (2018) 'Austen Approved: Pemberley Digital and the Transmedia Commodification of Jane Austen' Women's Writing 25(4): 512-524. DOI: 10.1080/09699082.2018.1510884.

Russo, S. (2018) 'History Repeating: Mothers, Daughters, and Incest in Mary Robinson's Vancenza and The False Friend' Tulsa Studies in Womens Literature 37(1): 67-90. DOI: 10.1353/tsw.2018.0003.

Russo, S. (2018) ''My Mite for its Protection': The Conservative Woman as Action Hero in the Writings of Charlotte West' Journal for Eighteenth-Century Studies 41(1): 43-60. DOI: 10.1111/1754-0208.12519.

Russo, S. (2019) 'Strange Ghosts Handing Out Jewels is No Basis for a System of Government: Politics and the Redemption of Eve in Eliza Haywood's The Adventures of Eovaai' English Studies 100(8): 980-996. DOI: 10.1080/0013838X.2019.1640436.

Russo, S. (2020) 'At the Border of Life and Death: The Ghost of Anne Boleyn' Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies 37(2): 125-149. DOI: 10.1353/pgn.2020.0066.

Russo, S. (2020) 'Contemporary Girlhood and Anne Boleyn in Young Adult Fiction' Girlhood Studies 13(1): 17-32. DOI: 10.3167/ghs.2020.130103.

Russo, S. (2020) 'Introduction to Special Issue: Representing Queens' Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies 37(2): 1-5. DOI: 10.1353/pgn.2020.0059.

Russo, S. (2020) 'Time Traveling with Anne Boleyn: History, Science Fiction, and Fandom' Clio 47(2): 193-213.

Russo, S. (2021) 'Divorced, Beheaded, Live in Concert: Race-ing Henry VIII's Queens in Six' The Scholar and Feminist Online.

Russo, S. (2021) 'The Poet and the Queen: Thomas Wyatt and Anne Boleyn in Historical Biofiction' a/b: Auto/Biography Studies 36(1): 65-91.

Russo, S. (2021) '"You Are, Like, So Woke": Dickinson and the Anachronistic Turn in Historical Drama' Rethinking History. DOI: 10.1080/13642529.2021.1995645.

Russo, S. and O'Brien, L (2019) 'Infanticide in Mary Hays's Memoirs of Emma Courtney and Victoria Cross's Anna Lombard' Explicator 77(3-4): 95-98. DOI: 10.1080/00144940.2019.1626328.

Russo, S. and O'Brien, L. (2021) 'Sex, Sisters and Work: Mary Robinson's The Natural Daughter and Amy Levy's The Romance of a Shop' Women's Writing 28(1): 37-58. DOI: 10.1080/09699082.2019.1617546.

Sheehan, R. J. (2019) ‘Intersectional Feminist Friendship: Restoring Colour to the Second-Wave Through the Letters of Florynce Kennedy and Germaine Greer’ Lilith 25: 76-92.

Sheehan, R. , Park, J., Jou, C., Smith, D. and Maddock, P. (2019) ‘Translating Race: Teaching American Concepts and Histories of Race, Ethnicity and Whiteness in Australia’ Australasian Journal of American Studies 38(2): 17-49.

Sheehan, R.J. (2021) ‘‘One Woman's Failure Affects Every Woman's Chances': Stereotyping Impossible Women Directors in 1970s Hollywood’ Women’s History Review 30(3): 483-505. DOI: 10.1080/09612025.2020.1770404.

Shields, R., Schillmeier, M., Lloyd, J. and Van Loon, J. (2020) ‘6 Feet Apart: Spaces and Cultures of Quarantine’ Space and Culture 23(3): 216-220. DOI: 10.1177/1206331220938622.

Simone, D. (2020) 'Kogan v Martin: A New Framework for Joint Authorship in Copyright Law' The Modern Law Review 83(4): 877-892.

Simone, D. (2021) 'Screenplay Collaborator Granted Authorship Credit in IPEC 'Encore'' Journal of Intellectual Property Law and Practice 16(3): 201-203.

Solomon, S. (2018) ‘Of Mechanisms and Machines: Brazil's New New Cinema. Senses of Cinema, (89): 1-21.

Solomon, S. (2018) ‘Sobre máquinas y mecanismos: El nuevo nuevo cine Brasileño’ Revista Icónica 17 December. Available from: http://revistaiconica.com/sobre-maquinas-y-mecanismos-cine-brasileno-contemporaneo/

Solomon, S. (2019) 'The Cloak of Technicolor': Intermedial Colour in Antônio das Mortes’ Screen 60(1): 137-147. DOI: 10.1093/screen/hjy068.

Solomon, S. (2020) ‘Barravento novo’ Asian Diasporic Visual Cultures and the Americas 6(1-2): 191-194. DOI: 10.1163/23523085-00601016.

Teo, H-M. (2020) ‘Cultural Authenticity, the Family, and East Asian American Romance Novels’ Journal of Popular Romance Studies 9: 1-28.

Throsby, D., Zednik, A. and Araña, J. E. (2021) ‘Public Preferences For Heritage Conservation Strategies: A Choice Modelling Approach’ Journal of Cultural Economics 45(3): 333-358. DOI: 10.1007/s10824-021-09406-7.

Van Heekeren, M. (2020) ‘The Curative Effect of Social Media on Fake News: A Historical Re-evaluation’ Journalism Studies 21(3): 306-318. DOI: 10.1080/1461670X.2019.1642136.

Van Heekeren, M. and Nolan, S. (2020) ‘Why History Now?’ Australian Journalism Review 42(2): 163-179. DOI: 10.1386/ajr_00033_2.

Warren, K. “Art in the Barbershop: Visual Arts, Audiences and Australasian Post”, Journal of Australian Studies 47, no. 1 (2023).

Warren, K. “Tracing cultural values through popular art historiographies: Australian popular magazines and the visual arts”, Journal of Art Historiography 25 (2021).

Warren, K. “Socially latent images: Eva and Franco Mattes’s personal photographs”, Philosophy of Photography 10, no. 2 (2019).

Warren, K. “A Brief History of The Australian Women’s Weekly Art Prize, 1955-1959”, Australian and New Zealand Journal of Art 18, no. 2 (2018).

Xu, D. (accepted) 'Chinese Australian Perspectives on the ‘Protection’ of Aboriginal People in the 1890s' Australian Historical Studies.

Xu, D. (accepted) 'From Oodgeroo Noonuccal to Alexis Wright: Postcolonial readings of Australian Indigenous literature in China, 1988–2018' Journal of Postcolonial Writing.

Xu, D. (2018) 'Liminality and Communitas in Literary Representations of Aboriginal and Asian Encounters' Journal of Australian Studies 42(4): 475–490.

Xu, D. (2019) ''That Old Man Making Fun of Me?’: Humour in the Writings of Aboriginal and Asian Relationships' JASAL: Journal of the Association for the Study of Australian Literature 19(2): 1-13.

Translations

Anders, G. and Müller, C. J. (Trans.) (2017) ‘The Obsolescence of Privacy’ CounterText 3(1): 20-46. DOI: 10.3366/count.2017.0073.

Anders, G. and Müller, C. J. (Trans.) (2019) ‘Language and End Time: (Sections I, IV and V of 'Sprache und Endzeit')’ Thesis Eleven 153(1): 134-140. DOI: 10.1177/0725513619864448.

Anders, G. and Müller, C. J. (Trans.) (2021) ‘Washing the Corpses of History: The Hollywood Costume Palace, a 1941 Exile Diary by Günther Anders’ Modernism/Modernity 5(4). DOI: 10.26597/mod.0184.

Media Articles

Davies, K. and McDonald, W. (2020) ‘Hidden Women of History: Catherine Hay Thomson, the Australian Undercover Journalist Who Went Inside Asylums and Hospitals’ The Conversation 17 January. Available from: https://theconversation.com/hidden-women-of-history-catherine-hay-thomson-the-australian-undercover-journalist-who-went-inside-asylums-and-hospitals-129352.

Davies, K. and McDonald, W. (2020) ‘How a 'Gonzo' Press Gang Forged the Ned Kelly Legend’ The Conversation 26 June. Available from: https://research-management.mq.edu.au/ws/portalfiles/portal/133518895/Publisher_version.pdf.

Griffen-Foley, B. (2018) ‘Keeping Company: Encountering the Fairfax Media Archive’ Inside Story 27 August. Available from:  https://insidestory.org.au/keeping-company-encountering-the-fairfax-media-archive/.

Griffen-Foley, B. (2018) ‘Keeping Company’ SL Magazine 11(1) Autumn: 12-15.

Griffen-Foley, B. (2018) ‘#NineFairfax Deal End of an Era for Australia’s Media Titans’ The Conversation 26 July. Available from:  https://theconversation.com/ninefairfax-deal-end-of-an-era-for-australias-media-titans-100613.

Griffen-Foley, B. (2018) ‘#NineFairfax Deal End of an Era for Australia’s Media Titans’ Mumbrella 27 July. Available from:  https://mumbrella.com.au/ninefairfax-deal-end-of-an-era-for-australias-media-titans-531951.

Lloyd, J. and Skelly, S. (2020) ‘What is 'Slacktivism' and Can it Change the World?’ The Lighthouse 26 November. Available from: https://lighthouse.mq.edu.au/article/november-2020/What-is-slacktivism-and-can-it-change-the-world.

Müller, C. J. (2017) ‘Günther Anders, Smart Technology and the Rise of Promethean Shame’ Rowman & Littlefield International Blog 13 December. Available from: https://www.rowmaninternational.com/blog/guenther-anders-smart-technology-and-the-rise-of-promethean-shame.

Müller, C. J. (2017) ‘Excerpt: Prometheanism: Technology, Digital Culture and Human Obsolescence’ 3AM Magazine 24 April. Available from: https://www.3ammagazine.com/3am/prometheanism-technology-digital-culture-human-obsolescence/prometheus/.

Murray, T. (2017) ‘Experimenting on Anzacs, Inciting Jihad: Inside a POW Camp Unlike Any Other’ ABC News 9 August. Available from: http://www.abc.net.au/news/2017-08-08/aboriginal-anzacs-racial-science-jihad-wunsdorf-pow-camp/8771110.

Murray, T. (2018) ‘From Dragons to Dreaming Serpents: Tracing the Cultural History of the Monstrous Lambton Worm’ The Conversation 16 July. Available from: https://theconversation.com/from-dragons-to-dreaming-serpents-tracing-the-cultural-history-of-the-monstrous-lambton-worm-100015.

Murray, T. (2018) ‘My Quest to Find the Genesis of the Lambton Worm, a Monster That Haunted My Boyhood Dreams’ ABC News 17 July. Available from: http://www.abc.net.au/news/2018-07-17/tom-murray-quest-to-find-origins-of-lambton-worm/9979250.

Murray, T. and Howes, H. (2019) ‘How We Tracked Down the Only Known Sculpture of a WWI Indigenous Soldier’ The Conversation 5 June. Available from: https://theconversation.com/how-we-tracked-down-the-only-known-sculpture-of-a-wwi-indigenous-soldier-117246.

Murray, T. and Howes, H. (2019) ‘Tracking Down the Only Known Sculpture of a WWI Indigenous Soldier’ National Indigenous Television (NITV) 6 June. Available from: https://www.sbs.com.au/nitv/nitv-news/article/2019/06/05/Indigenous-soldier-wwi-art-douglas-grant1.

Pearlman, K. (2021) ‘Changing Film Culture: 'After the Facts' and the Educator's Effect’ NiTRO: Non Traditional Research Outcomes 27 August. Available from: https://nitro.edu.au/articles/2021/8/27/changing-film-culture-after-the-facts-and-the-educators-effect.

Pearlman, K. and Gaines, J. M. (2020) ‘After the Facts: These Edits Are My Thoughts’ Women Film Pioneers Project 16 March. Available from: https://wfpp.columbia.edu/2020/03/16/after-the-facts/.

Sheehan, R. (2017) ‘Listen For Her Voice: The Women Who Created Pop’ Women in Pop 1: 8-11.

Sheehan, R. (2017) ‘Why We Should Celebrate Bessie Smith and the Women Who Created Pop Music’ ABC News 15 May. Available from: https://www.abc.net.au/news/2017-05-15/why-we-should-celebrate-bessie-smith-women-who-created-pop/8526442.

Sheehan, R. and Fox-Smith, T. (2017) ‘No One Had Heard Anything Like It: The Female Pioneers of Electronic Music’ Women in Pop 3: 12-17.

Sheehan, R. (2020) ‘A-Lop-Bam-Boom: Little Richard's Saucy Style Underpins Today's Hits’ The Conversation 10 May. Available from: https://theconversation.com/a-lop-bam-boom-little-richards-saucy-style-underpins-todays-hits-138263.

Simone, D. and Alexander, I. (2020) 'TikTokkers Are Writing Ratatouille, the Musical. But Who Owns the Copyright?' The Conversation 9 December. Available from: https://theconversation.com/tiktokkers-are-writing-ratatouille-the-musical-but-who-owns-the-copyright-151294.

Solomon, S. (2018). ‘Fruit of Paradise (Věra Chytilová, 1969)’ Senses of Cinema (87).

Solomon, S. (2018) ‘Rite of Passage: Renée Nader Messora and João Salaviza's ‘The Dead and the Others’’. Kinoscope 25 May. Available from: https://read.kinoscope.org/2018/05/25/rite-passage-renee-nader-messora-joao-salavizas-dead-others/.

Solomon, S. (2018) ‘Self-portrait of an Exquisite Corpus: An Interview with João Pedro Rodrigues (Part One)’ Kinoscope 14 July. Available from: https://read.kinoscope.org/2018/07/14/self-portrait-exquisite-corpus-interview-joao-pedro-rodrigues-part-one/.

Solomon, S. (2018) ‘Self-portrait of an Exquisite Corpus: An Interview with João Pedro Rodrigues (Part Two)’ Kinoscope 15 July. Available from: https://read.kinoscope.org/2018/07/15/self-portrait-exquisite-corpus-interview-joao-pedro-rodrigues-part-two/.

Solomon, S. (2018) ‘The Imitation Game: Jean Eustache's My Little Loves’ Senses of Cinema (88). Available from: http://sensesofcinema.com/2018/after-the-french-new-wave/the-imitation-game-jean-eustaches-my-little-loves/.

Solomon, S. (2019) ‘Of Mechanisms and Machines: Brazil's New New Cinema’ Senses of Cinema (92).

Teo, H-M. (2020) ‘Who Am I Without My Trauma? Confessions and Confusions of a Part-time Asian Australian’ Peril Magazine: Asian-Australian Arts and Culture 41. Available from: https://peril.com.au/back-editions/edition-41-aai7/who-am-i-without-my-trauma/.

Throsby, D. and Shin, S. Y. (2020) ‘Why is the Gender Pay Gap in the Arts so Large? Widespread Discrimination is the Most Likely Cause’ The Conversation 11 November. Available from: https://theconversation.com/why-is-the-gender-pay-gap-in-the-arts-so-large-widespread-discrimination-is-the-most-likely-cause-149626.

Yalcinkaya, C. (2018) ‘Homoti: The Turkish Gay E.T. Remake’ Sequentials, 1(2). Available from: https://www.sequentialsjournal.net/issues/issue2/yalcinkaya.html.